Where did this algae bloom of fear come from?

I have spent my life in love with the sky. With breathing room. I have gloried in being small in vast spaces, found a perspective in them that freed me from fuss and gave me the right to take action. To be out in the open on a grassy hillside, with nothing between me and the sky—that is heaven.

Image shows the sun just touching an open horizon at dusk, with a lone ironwood tree silhouetted in front of it. The sky is tinged with gold at the horizon but blue overhead. Clouds streak it hither and yon.

I have made my peace with silence. After being forced into it for years, I have lost my horror of what I feared was emptiness. It has become a friend that holds me in its embrace.

And I am at home in solitude. It is my native land, my place of fluency and ease.

So what pinned me, quivering, in a serene, open grassland, like a rabbit in a hawk’s shadow?

I had gone for a short walk at Las Cienegas National Conservation Area southeast of Tucson. It is the kind of landscape that sets my heart singing—a gentle one of rolling, interweaving hills and soaring skies. In mid-November, its blanket of sacaton grasses glowed in late-afternoon sun. The bosque of Arizona ash along that great wonder of southwestern wonders—a year-round river—was just warming to gold. In the distance, “sky island” mountains twisted up from the earth, while the hills in the foreground echoed with birds and the cattle on the Conservation Area’s historic, working ranch.

Image shows late-afternoon sunlight turning knee-high grasses on gentle hills autumn-gold in the foreground. Behind them rise knobbly, gray-brown mountains, with pure blue sky in the background. The feathery branches of ironwood trees partially frame the scene.

I had spent the days since my arrival resting. My buggy is a lovely window on the world, and from its shelter the hills had called out. Just across each rise, they promised, a new mystery awaited. Cattle lowed outside my windows every morning, ambled past to the next grazing ground. A kestrel kept watch in an ironwood tree.

When I arrived, I had neighbors one campsite over. I was glad of them. Signs in this border region warn of drug and human smugglers, and I don’t have enough experience to assess the danger. On the second day, the neighbors rumbled away to journey elsewhere. None took their place.

Image shows the sun setting from a different place in the Conservation Area—an over-bright glow disappearing behind mountains blue with distance. The branches of yet another ironwood frame the photo. Dots of texture stipple the foreground where the grasses’ seed heads catch the light from behind.

On the third day, I returned to life and ventured out into this landscape so suited to my heart. I started with a spring in my step. When I turned for home, though, the sight of my van—my world—stopped me cold. It sat alone on that vast plain, a speck of white sand on a tiny island in an ocean of grass. It was so very, very small.

I stood there for a minute, under the huge sky in the silence of high noon. I stood all alone.

The thought hit me: “You are a sitting duck.”

As I said, the border promotes fear. I hadn’t anticipated being on my own in a land tailor-made for traffickers during the week of the full moon. Perhaps I was just jumpy? I didn’t detect an immediate threat; the hackles on my neck stayed low. The anxious hamster-wheel of “what-if’s” lives in the mind and adrenal glands. True fear runs deeper, bypassing the conscious mind to galvanize the body. This fear ran deeper yet, to chill the soul. I was small and alone, and the world was vast and empty. (Meanwhile, cattle lowed. Birds sang.)

I happen to believe that a little existential terror is good for the soul. After returning to the van, I sat with fear for a couple of days to sift through it, sorting what-if’s from reality, imagination from gut, coming to terms with my place in the cosmos. I realized that part of the fear was the sense that, in this nomadic life, anything could happen.


With that, my heart leapt high. When I was trapped inside four walls, knowing to the minute what every day would bring, I had withered. The sense that nothing would happen almost brought me to despair. Knowing now that anything could happen—yes, that might be fear. But it also looked remarkably like hope.

Image shows the same scene as the first photo, a few minutes later. The sun has disappeared. The lower clouds streak up at an angle and are orange-red. The higher ones are wispy and charcoal gray against pale, gray-blue sky.

For two mornings I rode that wave, balanced between fear and hope, keenly, painfully aware of the fragile, astounding gift of life. Every morning, the cows ambled by. Birds sang. I came to a delicate truce, where hope and fear shook hands.

Again on the third morning, I went for a walk, while the horizon stretched out on all sides. Again I was pinned with terror. But this time I knew the difference between what-if’s and the now, between body and soul. This time was different.

No cattle lowed. No birds sang.

A pause to listen. Yes, there—in the distance they did. Just the circle around me was silent.

And then I knew the peace of turning tail and running.

To be continued…


For those of you in the throes of winter, I offer a memory of summer:

Even at 8,500’, the day promised to be warm. Locusts droned from the meadow grasses, cicadas from the piñons. After a pre-dawn rain, the sky had cleared. A sea of golden flowers gave ray for ray back to the sun; among the sagebrush, scarlet gilia burned. Fragrance rose like smoke from the junipers as their resin warmed.

Image shows tufts of dozens of tiny yellow daisies with golden centers, glowing in sunshine. Some poor, benighted soul, who should have read more poetry as a child, named them “rubber weed.” Near Poncha Springs, CO, July, 2021.

I had paused mid-morning to write down some impressions of the last few days. Without the pause, I was finding, time passed in a blur. No bright thread wove the days together into a larger purpose, into a story or even a word I could speak with my life.

The van’s sliding door was open to the breeze. Flies flew in, flew around, flew to the back windows and flung themselves again and again at the glass. (Why can a fly not just leave?) Occasionally I would stop writing to open the back doors to let them escape, but they would not go. With a mile of sky around them, they buzzed against the glass. Eventually, using my fly swatter like a scoop, I would shoo them toward freedom, whether they wanted it or not.

Puffy clouds—the kind that “wouldn’t hurt a soul”—began to rise on the thermals. A raven called, the locusts buzzed. I drank tea and made notes in daydreamy solitude.

Image shows a dangling spray of vivid red flowers, which go by the slightly more poetic name of scarlet gilia. They are shaped like trumpets, but their mouths divide and open out like stars.

Mid-sentence, a bright flash of movement zipped through the sliding door. A hummingbird hovered for the time it took me to gasp, then flew to the back doors, lost. She flung herself again and again against the glass to escape, her wings beating against the windows. I leaped outside to open the doors, but even once they were flung wide, the bird would not go. She was too focused on the glass to sense that freedom lay elsewhere. Her perceptions trapped her.

I can still hear her wingbeats, see the light on her iridescent, emerald back, still see the sun shining through her wingtips when she perched, wings splayed against the glass, on the bottom of the frame and paused in…exhaustion? Despair? For a few seconds’ heartbeats she stayed there—a handful of mine, a hundred of her own—and in that pause she looked around the window instead of through it. A heartbeat later, she was free.

Image shows the view that day from my back doors. Beyond a horizon of blue mountain ranges, the “belt of Venus” glows palely pink just before sunrise. The foreground is in shadow, with a lone piñon tree in silhouette on the left.

I was not aware of “living the moment” at the time. The distress of a tiny creature cried out too intensely for anything but care. But that same intensity etched the moment in memory (the bright eye, the whirring wing, the translucent feathers, the pause). Only later did I stop to look around, to wonder.

To sense the honor of our kinship.